International Quilt Market was in Portland, Oregon this month. That meant it was close enough for me to make a whirlwind one-day trip up and back to check it out. I took the 8am flight up to Portland and the 9pm flight back to San Jose. These were the earliest and latest direct flights of the day. The light rail runs from the airport to the convention center which made transportation once I was in Portland super convenient.

My first stop was the Andover booth. I got to see Giuseppe's North quilt (made in Alison Glass fabrics) in person. Beautiful!

My prime motivation was to check it out in person so that when I think I'm ready to have a booth at Market to feature my patterns I would have an idea of what to expect. As a beginning independent quilt pattern designer, I feel like the event isn't really for me (at this stage), but I learned so much from attending and had a great time.

Overall, Quilt Market is for quilt shop owners to view fabric, patterns, and products in person, and to sit down with reps in these booths to place orders. Even though I wasn't a shop owner there to place orders, I had lots of opportunities to interact with industry professionals. Chatting with others in the industry is so beneficial. Many are very willing to answer questions about the way things work. This was the most beneficial aspect of the event to me personally.

I enjoyed meeting in person with folks who I interact with online. I spent my time walking the show with Sherry Shish and Jessica Caldwell, both of whom I know from the Island Batik Ambassador group, as well as Laurel Anderson who I recently met at a Meet the Teachers event.

I met Katie Laughridge, Tara Curtis, and Kelly Young for the first time in person.

No picture of me and Katie, but here's Laura Piland's Moonrise quilt (in Lavendula) from the Island Batik booth. I love her unique raw edge and bias tape appliqué method for this stunning design. Katie does Marketing and Design Services at Island Batik and I've been working with her in my role as an Island Batik Ambassador.

Tara is someone who I've followed on IG forever. She's the maker of the WEFTY needle for weaving fabric. Her booth was full of beautiful items. That blue quilt just sparkles!

Kelly started blogging shortly before I did and I've followed her for years. She recently published Stash Statement and I had the pleasure of creating a quilt from her book to share on my blog. It was so great to meet her in person. I stopped by her book signing and visited her demo in Demo Alley. And I was able to join her and her mom for dinner which was delightful.


I was also able to chat with Christa Watson. I have long admired her open discussion about how things work in the quilting industry. It was nice to visit with her and to see her beautiful new Fandangle fabric in person.

My biggest take away is just how many roles there are in the quilt industry. There were many people in attendance that I just don't see in my everyday view of the quilt world on Instagram. And the industry is really so much about relationships. Take a peek in any designer's booth at Market and you'll see evidence of those relationships. For example, a sample made by another designer/maker, a quilt featuring the company's batting, a pattern partnership between pattern designer and fabric designer. I came home with a lot of information, and some new connections. I'm so glad I attended!

And there was just so much eye candy to enjoy...

The Art Galley Fabrics booth featured these amazing quilts "celebrating the beauty of diversity and the power of being a woman." And in Mister Domestic's booth he had made these awesome hydrangea, using a product called Terial Magic (which basically makes fabric behave like paper).

I was of course drawn to bold, saturated color. Jessica VanDenBurgh was debuting her first fabric line, Gypsy. And this Patrick Lose bundle really caught my eye!

Two of my favorite fabric designers for their use of color are Alison Glass and Tula Pink. Their booths were stunning.


My last stop of the day was to sit down and chat with Giuseppe of Giucy Guice. I even got to see the paper printouts of his upcoming line of fabric QUANTUM. Check out these marvelous 24" x 44" panels!

I'm not sure when I'll get to attend again, but I had a great time and look forward to returning. Did you attend this or a past Market? What's your favorite part?


Two years ago I made class quilts with the kindergarteners at school when my son was in kindergarten. Last year another parent took the reigns and and this year it was my turn again, since my daughter is in kindergarten this year.

I decided to do something a little more complicated this year. Since I was really enjoying seeing all the Village quilt blocks on instagram I ordered a copy of the pattern for the kids to each sew a house block. They made fingerprint art a la Ed Emberley on the doorway fabric with their teachers and I led them through piecing their blocks. (The maker's names are on each doorway as well, but they have been removed for the blog post.)

The kids are at a montessori school, so sewing has been part of their curriculum for the last three years. By kindergarten they are all comfortable using needle and thread. To help them with their piecing, I use a frixion pen to mark the 1/4" seam on the wrong side of each fabric to help the kids keep their running stitch in a straight line. I pin together the two layers of fabric to keep them organized. Some kids take tiny microscopic stitches and some take 1/2" long stitches, but it all gets the job done.

Aren't the blocks adorable!? Once each child finished hand piecing their quilt blocks I brought them home to give them a good press, sew them together, and finish the quilts.

I was sure to get a good shot of the quilt sandwich before I added the binding. When I taught the kids about the parts of a quilt they got a kick out of the phrase "quilt sandwich." I told them that the top and bottom fabrics were like the bread and the batting was like the... whatever you like on your sandwich. One student asked nearly every time I saw him if I had added the peanut butter and jelly yet. ;-)

I opted for echo quilting bordering each house and my daughter helped me pick the zen chic blue dot fabric for the binding. These adorable quilts are about 16" x 15". They were finished and hanging on the classroom walls in time for Mother's Day Tea.


Just for fun, here I am with the portrait of myself that my daughter drew for the Mother's Day Tea on Friday.





Shortly after I joined Bay Area Modern I took home a charity quilt top to quilt and finish. I don't know who pieced it. (If you know, please let me know and I'll update the post.) Once I brought it home it was initially set aside and for the past couple months I've been moving it around in my work space. I decided this week it was time to get it done. And it's like cleaning, because I can bring it to the guild meeting to drop it off on Saturday. ;-)

I opted for a large scale meander in a light colored 50wt Aurifil thread.

I used one of my green bindings that I had recently prepped. (I actually made another green binding, for four in a row total.) It was bound using my machine binding technique.

The quilt is about 32" x 32", a quick size to quilt and bind. And it's for such a good cause as it will be donated to a local NICU.