Tag Archives: mini quilt

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This weekend was full of blue!

On my way home from seeing Blue Man Group (and enjoying a tasty blue cocktail) I realized that I needed to start and finish this mini quilt to share with you today for the Fat Quarter Shop Sew Solid Remix. Thankfully I already had a plan and had pulled the fabric above to choose from.

 

A Brilliant Cut is a mini quilt pattern available from Fat Quarter Shop as part of their Sew Solids series. I opted for a sapphire on a silver band since my engagement ring has a sapphire. The free pattern from Fat Quarter Shop was easy to follow and this is a quick little project to sew up.  It took me less than two hours to cut and piece the quilt top. The facets on the bottom half of the gem are easily achieved with the Creative Grids Perfect Rectangle Ruler.

 

In the interest of a fast finish I chose walking foot quilting in a 2" crosshatch pattern. I marked the diagonal lines in one direction with masking tape and stitched with the edge of my presser foot along the edge of each piece of tape. Then I repeated in the other direction. You can see the first line of stitching in the photo below. I used Aurifil 50wt Silver Fox Variegated (#4670) for the quilting.

 

I take any chance I have to bind something in stripes. This dark blue, white, and grey stripe was the perfect choice for this project. I used Aurifil 50wt Medium Delft Blue (#2783) to hand stitch my binding on the back.

 

Visit The Jolly Jabber to see what others have created for this Sew Solid Remix.

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The products featured in this post were given to me by Island Batik, Hobbs, and Aurifil.

This month we were asked to create a quilt to adorn a table for the holidays. We were required to use appliqué, though our project could be any size. My Fall table topper finished at approximately 20" square. I used Hobbs Thermore batting. It's a super low loft 100% Polyester batting, which should keep my table topper nice and flat.

I chose pumpkin orange batiks to create a scrappy slab for the pumpkin. This included Cheddar as well as a couple from the Island Batik Clockworks collection. (The background and stem are from Clockworks, too!)

I used the snowball technique for adding background triangles to the corners of my rectangular scrappy slab and pieced in a brown stem. My technique is basically the same as my pumpkin tutorial from earlier this month, with a slightly different stem. To fulfill the requirement of having appliqué in my project I chose Bubbles in Chartreuse to make a pumpkin leaf. A quick online search helped me with the general shape of a pumpkin leaf. I used Heat and Bond Lite to raw-edge fusible appliqué my leaf onto the otherwise completed quilt top. My top stitching on the leaf was done as quilting. I chose to mimic the look of the veins of the leaf.

I was lucky enough to come home from Quilt Market with the Island Batik Solstice collection of 40wt Aurifil thread. It had the perfect options for me to consider using for this project. The first image below shows Brass (#2975), Light Cinnamon (#2335) , and Dark Brown (#5024), and beneath that a peak inside the whole box.

 

My selections strike me as an odd mix of colors for my quilting. I ended up with four colors in three different weights. It's amazing how on their own I never would have put these colors together, but when considering what blends best in each section of the quilt, these four were the right choices!

Light Leaf Green (#1147) was the perfect color for the leaf. I had it in various weights in my thread collections and opted to use the 28wt to outline the leaf and stitch the vein pattern. Dark Brown (#5024) was a great choice for my echo quilting inside the stem.

I opted for Brass (#2975) for quilting the pumpkin. I started by echoing inside the border of the pumpkin, then filled it with spirals (my favorite free motion motif!). Finally, I chose Pale Green (#2880) from my stash for quilting the background. First, an echo line around the pumpkin, then zig zag meander to fill in the entire background. I'm not sure if I've shared about it on the blog, but I'm loving my new-ish open toe free motion foot. Total game changer!

Have I mentioned how I love the gears on the background fabric!?

 

I was excited to enjoy this quilt on Halloween and look forward to its continued use throughout the rest of the Fall, including Thanksgiving.

 

Check out what the other Ambassadors are topping their tables with this month!

I'm linking up to Needle and Thread Thursday and TGIFF.

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The products featured in this post were given to me by Aurifil, and their industry partner Paintbrush Studio Fabrics.

As an Aurifil Artisan, I have monthly challenges to participate in this year. The August challenge was to create a wholecloth quilt. (My first!) Paintbrush Studio Painter’s Palette solid fabric (from their 2019 colors of the year) and matching Aurifil thread was provided to each participating Artisan. I received Coral fabric (it's a very pink coral) with 12wt Bright Pink Aurifil (#2425).

My initial plan was to add a couple other pastels to have some color variety in my quilting. (I changed my mind.)

Inspired by my June mini quilt, I opted for creating sections on my quilt with organic curve walking foot quilting in the Aurifil 12wt Bright Pink (#2425), with 40wt in the bobbin. I decided to add an echo line of stitching for each curve. Then I picked a variety of free motion fillers for the six sections in Aurifil 40wt Light Peony (#2437). I wanted a variety of curved and angular motifs.

 

Section one features one of my go to FMQ motifs: spirals! I use this one often. Fandangle Scrappy Squares and Modern Batik Scrappy Squares come to mind as two quilts I've quilted with spirals.

Section two has another favorite, a jagged stipple.

In section three, I used a nesting C motif that I last used on the mini that inspired this quilt.

In section four, I did two rows of boxy overlapping loops. (I want to call these boxy spirals, but they really aren't spirals. What would you call them?)

Section five has free motion echo lines radiating in from the initial walking foot quilting.

Section six had a triangle meander, which I previously shared in a blog tutorial.

 

I backed my quilt with some white on white from my stash and bound by machine (visit my tutorial to see my technique) using Aurifil 50wt Baby Pink (#2423).

I love the texture of the quilting!

My wholecloth mini finished at 17" x 22". I used a remnant of Quilter's Dream 100% Cotton Deluxe batting from this quilt.

You can find the chart of matching Painter's Palette solid fabric and Aurifil thread colors not the Paintbrush Studio website.

Thank you to Aurifil and Paintbrush Studios for the fun challenge!

I've linked up to the Q3 Finish Along Finishes post. Check out my whole Q3 list of projects.